Per Baron XIII, "Repo! the Genetic Opera" is the kind of movie that has so many things, so wrong with it that one could devote volumes discussing its badness, or merely dismiss it with a cutting quote. The Baron's cutting quote:Five words: "Gothic 'Trapped in the Closet.'"
You know what, Internets--he's right. "Repo" is an opera told entirely in recitative, pretty much entirely sans-aria, detailing a story that's full of plot holes and stupidry. Unlike R. Kelly's hip-hopera, there are no midgets or flights of fancy to elevate this effort to sublimely surreal status. The Baron is wrong that "Repo" is the Worst Movie Ever, but I'll be damned if it's not a contender. Director Darren "Yes, the 'Saw' Sequels Guy" Bousman manages to squander heaps of cash AND a talented cast on an Off-to-the-Nth-Power Broadway musical with a high-concept but ill-fleshed book and songs so cringe-worthy that I thought the Baron was going to try to melt into the floor out of sheer embarassment for everyone involved in the production.
So... why is the internet abuzz with praise for this mess? Stop drinking the Kool-Aid, fellow fans of bizarre cinema! "Different" does not equal "Good," and the painfully self-referential tone of the film (LOOK I CAN HAZ OGRE AND BILL MOSELEY!) plops it firmly in the category of Hipster Cash-In. Allow me to detail some more egregious issues I have with this movie, won't you? Of course you will!
- Forty years in the future, Lip Service outfits and cheap plastic shoes from Pleaser have finally dominated the clothing market. No, really--if I can tell you the prices, sizing and SKU numbers of every piece of clothing worn by a character on-screen, your wardrober deserves a Sound And Unsexy Thrashing.
- NEVER unleash the G-Bomb (G*th) in your film--just don't--unless you mean it to be funny. ESPECIALLY NEVER do it if the music in your film is more "Meat Loaf's Retarded Cousin" than "Nik Fiend."
- If you show a gun in Act I, it had BETTER go off in Act III. And in this case, substitute "drug made of dead people" for "gun"--make USE of something icky and cool like that in the Plot Proper.
Pee Ess: If you're not Russ Meyer, you're not allowed to use exclamation points in your film title.
Pee Pee Ess: Changed my email address over there since Comcast is friggin' HELLA-VEXING. You can find me at Gmail now (with the rest of the civilized world).
10 comments:
So I take it this is NOT the film that would take the Rocky Horror Picture Show's "cult classic" title away from it? (So says someone being interviewed on NPR this past weekend).
Aww man, I had a sliver of hope for this movie...and now that hope is dashed against the rocks like an infirm Roman infant.
(Also, your Imperial Email Account doesn't seem to be working for a few of us, in case you didn't know and were wondering about the lack of communiques from the reaches of the Empire.)
Cranky, I'm pretty sure "RHPS" can maintain its crown. It had... you know... actual songs and stuff in it, for starters.
Jack, speaking as someone who *wanted* to like this movie, it's bad. REAL bad. "Worse than I ever thought it would be" bad. Although I kinda want you to see it just so you can bask in the full glory of the "Trapped in the Closet" comparison.
I liked it only slightly more than you... I didn't like it rather than hated it, but I agree with all of your points completely... I think the lack of "actual songs" is my key complaint. If I were to want to revisit a musical or opera, I should be drawn in by my desire to hear the music again, and here I have none.
Neil, I just peeked at your review here and I'll amend my thoughts to agree with you that the trailer is really neat, and I was pretty psyched to see this film after seeing it. It's just such a frikkin' *disappointing* film, as you've stated, and I'm just not understanding all the drooling fandom.
Ah well, at least the Baron and I could do "Repo"-themed costumes for NY Comic Con on the cheap from clothes we already own :P
I'm commenting only to thank you for an honest opinion and for not "drinking the Kool-aid". Everyone I know is going ape-shit for this thing, which is a guarantee that I'll probably hate it, but in these situations I end up with high expectations anyway because I try to have faith in my friends. Now my expectations can be nice and low where they belong and I might actually enjoy some of it. So thanks.
Lexie, I'm by NO means an arbiter of good taste! I'm surprised at the *amount* of geeky goodwill towards this movie, sitting in the seat of somebody who really wanted to dig the film but didn't. Your mileage may vary, and lord knows I've taken my fair share of ribbing from fellow nerds regarding my love of certain films (*coff* "House of 1000 Corpses" *coffcoff*).
When I first read about this in Rue Morgue, I was slightly intrigued, but then tag on Paris Hilton and the "Saw" guy, I pretty much assumed this would every bit as lame as you said it is. I mean not to sound "movie snobbish" but, Paris Hilton? C'mon!
So, Rev., does this mean I don't have your competition for the Paris Hilton/Slave Leia/Dystopian future fantasy? If so--awesome. If not--I will thumbwrestle you into submission.
This screened here in Phoenix last night. While I didn't think it was that bad, I certainly felt that certain parts were frankly embarrassing to watch. One or two bits clipped the edge of genius, though, so I'm particularly sad at the wasted opportunities.
And what was with the freakin' fuzzy cam? Seriously.
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