It's interesting to think how different this film would have been from the colorful Pop Art fantasy of Mario Bava. Holt's directorial style seemed to favor stark, almost noir-ish black and white compositions, which would have cast the King of Crime in a very different, though doubtless equally flattering, style. How much of that film would have felt drawn directly from the pages of a fumetti is open to discussion. What isn't debatable is that it's a damn shame this film was never produced--in my universe, there is quite simply NEVER enough Diabolik!
Above is an ad that ran in 1966 in which producer Tonino Cervi seeks an exciting new actor with a handsome, masculine face, clear eyes, and an athletic build who is no less than 6 feet tall to play dashing criminal mastermind Diabolik in this film. De Laurentiis and Bava would find just such an actor in John Philip Law not too long after this advertisement ran.


9 comments:
Very interesting. It's hard to imagine a Diabolik film without Bava behind the wheel. I do think Jean Sorel would have been a good choice though.
Elsa Martinelli is FABulous in The Tenth Victim, if a bit bitchy...
Oh, wow. I can totally see this as a black and white film. Kinda like Georges Franju's remake of Judex.
You can never get enough Diabolik.
Sigh.
Good Lord. Awesome casting. Love the Bava, but yikes, this could have been really something. Thanks for the find.
I wonder how different this would have been in Seth Holt's hands than Bava. It makes me wonder if it would be like Andre Hunebelle's Fantomas films. The world will never know. Holt definitely had talent (Taste of Fear, Blood from the Mummy's Tomb, the Nanny), but unfortunately his life and career were cut short by his untimely death in 1971.
Rev., I TOTALLY agree that Sorel would've made a great Diabolik. Though I'd have to wait and see if he could arch an eyebrow as convincingly as JPL...
Prof. G--fabulous and bitchy? I'm SO on board!
Doc M--I think a b&w Diabolik would work, and perhaps be even closer to the source material than the psychedelically colorful Bava version. The darker elements of the character could definitely be enhanced!
Thanks, Pierre! Honestly, there's a part of me that hopes someone discovers and posts more about this project, as the Bizarre Sinema mention is the only one I've dug up so far.
Fred, it looks like it was a very different project indeed! I think the character is a rich enough source, much like Batman, to weather plenty of interpretations (note: I typed BARTMAN three times before getting to Batman--my brain is so Fridayed out).
Bartman? You mean the Supervillian who terrorizes Chicago Cubs fans while wearing headphones?
I just saw Bava's Diabolik for the first time this weekend and immediately hopped over to Tim Lucas's Bava book for more insight. Turns out that he is resplendent with details and production stills on the aborted Diabolik project. Head to http://www.amazon.com/Mario-Bava-All-Colors-Dark/dp/096337561X and do a search inside the book for Diabolik. The section starts around page 721.
Lucas also dug up rare production stills of Catherine Deneuve alongside John Philip Law's Diabolik. Apparently she had the role of Eva for something like a week before tensions between her and Bava lead to the role's recasting.
Nate, my cupcake, I owe you one. BADCORE. Thank you SO MUCH for sharing this! As to the rest of you, make with the clicky on Nate's linkey for more info.
Post a Comment