Wednesday, July 8, 2009

Frankenstein's Bloody Terror [1972]


My approach to movie-watching--in case you hadn't noticed--is fairly haphazard. I have a rough list of Stuff That's Relevant to the Tenebrous Interests, and when a particular film seems to fit that bill, I snap it up for future watching. It's a damn good thing that I have reliable friends who've got my best interests in mind who tend to say things like: "Hey doofus--I know you've been digging these Paul Naschy flicks, so why don't you go ahead and check out his first film which also happened to be a staple of such monster kid klassic teevee shows as Chiller Theatre?" If this incredi-pal happens to be the Abominable Dr. Gregg, he goes ahead and ships me a DVD of "Frankenstein's Bloody Terror" in order to educate and illuminate me (that Abominable Dr. Gregg is some kind of all right, isn't he?).

It's easy to see why "Frankenstein's Bloody Terror" was a drive-in hit in America--though it came late in the second flowering of the monster movie, there were dozens of creature features playing on screens across the country, involving everything from the giant rabbits of "Night of the Lepus" to the urban vampire shocker "Blacula." Capitalizing on the horror craze and short exactly one Frankenstein movie, film distributor Sam Sherman snapped up the rights to Paul Naschy's first film (made and originally released in 1968), "La Marca del Hombre Lobo," slapped a little prologue explaining the title onto the preexisting movie, and voila! A monster mash was born.

"Frankenstein's Bloody Terror" Film Still

Much like me, audiences in 1972 got over their initial dismay at the marked lack of reanimated cadavers in the story because--quite frankly--"Frankenstein's Bloody Terror" has everything BUT the kitchen sink in it (if the kitchen sink was a resurrection-obsessed mad scientist). Set in typical-yet-EXCELLENT (some things bear repeating, after all) Naschy style somewhere in a dark-forested, superstition-haunted, dirndl-outfitted Mittel European country, the film tells the tale of Polish nobleman Waldemar Daninsky who falls in love with an eighteen-year-old countess, gets werewolfized, and ultimately has to save his woodland community from his own full-moon-inspired rampages. Oh yeah--and there's a masked ball, some Satanism, a couple of gypsies, several forays into graverobbing and a sinister vampire couple.

Still no mad science--but you don't really miss it, do you?

"Frankenstein's Bloody Terror" Film Still

There's so much to love about Naschy movies--the star's overwhelming sense of his own awesomeness, the stable of exotic babeage, the creaky gothic horror settings, and most importantly THE MONSTERS! Much as I'm open-minded towards contemporary reimaginings of the medieval creep brigade of vampires, shape-shifters, and various undead baddies, I have a special love for classic monsters, much in the same way that you never forget Your First. Naschy's reverence for the Universal thrillers is evident, and while the effects work may be a little hokey and the plot propulsion may not be terribly sophisticated, it's clear that Naschy wants his audience to have as much fun watching his performance as he had creating the story. He's making latter-day fairy tales in the most unapologetic way possible and his enthusiasm saturates every frame. Even when the movie gets a little (or a LOT) silly, there's never the feeling that Naschy believes his *audience* is stupid--they're co-conspirators in his monster glee!

The potential down-side to Naschy's appetite for old school horror cliches is that... well... let's calls 'em like we sees 'em: his werewolf movies are pretty much the same story told over and over again with small tweaks. So let's discuss the tweaks that make "Frankenstein's Bloody Terror" so eminently watchable, OK?

"Frankenstein's Bloody Terror" Film Still

1) A ludicrous love triangle. In tried-and-true storybook style, Daninsky (quite literally) waltzes into Janice's life during a masquerade party and the teenager is instantly smitten, casting aside her significantly-less-barrel-chested boyfriend, Rudolph. Later in the film, when Daninsky saves Rudolph's life during a werewolf attack (and is fatefully bitten by the beast in the process), Rudolph seems to topple head-over-heels for the darkly brooding muscle-count himself, taking on a manservant role and trying to protect Daninsky from harm. This Daninsky-worship would carry throughout Naschy's films, with the werewolf-slash-nobleman's milkshake bringing persons of both genders flocking to the yard time and again.

"Frankenstein's Bloody Terror" Film Still

2) Kickass sophisticated vampires. I like vampires--but I specifically like monster vampires and Draculas. Dr. Janos Mikhelov and his boobalicious wife Wandessa (remember that name, Naschyfans!) are prime examples of this latter flavor of bloodsucker. Improving on the already-excellent "bleh bleh" cape-wearing cartoon we all know and love, Dr. Mikhelov and Wandessa are black magicians who are seeking to harness Daninsky's curse for their own nefarious needs! Let me take a moment to salute the cheekbones of actor Julián Ugarte, who plays Dr. Mikhelov. I kinda wish he was in every movie--remember how much he en-rad-ened the boringer-than-it-ought've-been Italo-thriller "All the Colors of the Dark" with his presence as the taloned cult leader? Take a good gander at that photo above, interpals--that's gonna be me and Baron XIII in 10 years (although the Baron might have to stand on a box to be that tall).
"Frankenstein's Bloody Terror" Film Still

"Frankenstein's Bloody Terror" Film Still

3) Cleavage. What this movie lacks in nipples, it makes up for in creamy, quivering inter-bosom chasms. Just when I thought the movie had hit a sad note with the inevitable-yet-still-untimely demise of the barefoot gypsy girl, it gave me Wandessa in her startlingly structured gowns.

"Frankenstein's Bloody Terror" Film Still

4) Monster fights. Man vs. werewolf, werewolf vs. werewolf, and ultimately vampire vs. werewolf. When presented with two new action figures, the first thing a little boy will do is make those plastic bastards fight. It is with the same youthful joy that Naschy presents us with several such grapple-matches between supernatural fighters.

For the kind of megadose of Vitamin M(onster) that the Halloween-season-loving kid in all of us craves, "Frankenstein's Bloody Terror" truly delivers the goods.

11 comments:

The Vicar of VHS said...

Do you have a paper towel, Empress? I think you spilled your glee all over me. ;)

FBT is where it all began, and clearly Naschy came out with all guns blazing. He would refine it over the years, add new monsters or different permutations of the Daninsky origin, but he obviously had the formula in mind from the start, and knew that it WORKED. Well, for people like you and me and the Duke. Good 'nuf, says I! Better, even! :)

You know, I never noticed those AWESOME hanging masks in the room with the bechained Naschy before. Sweet. And if I didn't already have my Halloween costume planned for this year, I'd be seriously seeking out a Red Rogue's outfit like the one Jacinto wears to the opening ball. In fact, I may do still--you know, just to wear around the house. :)

Awesome stuff as usual, Empress! Viva El Naschy!

Christopher said...

Not to nit-pick or anything, but wasn't this flick from 1968 not '72? Naschy was already about four or five movies in by '72 and this one is his first. Still, excellent write up of one of my all-time favs from childhood.

Tenebrous Kate said...

Vicar, I was noting the INCREDIBLY UNDERSTATE DECOR while watching this movie. The masks were a fave element of mine so I *had* to get a snap of those! Glad you dug the write-up--I do aim to please you and the Duke, who I know to be serious Naschyphiles :)

Christopher--you are indeed correct! The original release of the film was in 1968, but it wasn't put out under the "Frankenstein's Bloody Terror" title in the US until 1972. Since there were significant enough changes to the movie (lopping off about 15 minutes and sticking on the little Wolfstein/Frankenstein intro), I figured I'd date this film to 1972. But yes--you're absolutely right, and I put some more explanation in the write-up. And thank you for the compliment!

Steve said...

This movie has the look of a horror comic book. It doesn't seem to get much respect, for some reason. If the first twenty minutes seem to drag, it's because of the first 20 minutes, where the cuts are. When I saw this on Shock Theater as a kid, I recall it began with the gypsies arriving in the castle.

The Headless Werewolf said...

Spot on review! I love Naschy's crazy-quilt approach to monster lore, and FBT may not be the best or most perfect of his Daninsky outings, but it has the honor of establishing the template. Can you believe he originally wrote the script with Lon Chaney in mind?

Fred said...

I remember seeing this with friends at the local Saturday afternoon matinee. We were all ready to see a new take on Frankenstein (having watched the original Universals and the Hammer take) and were stunned with the bizarro opening credits (Count Wolfstein!). It was our first exposure to Iberian wierdness and may have permanently warped us. Subsequent viewings on Chiller Theater (you got that right although I'm guessing you're too young to remember the show yourself) cemented the relationship. Interestingly, the other Naschy films to show up on teevee were screened on Channel 9's Fright Night (Vengeance of the Zombies got a ton of showings), except for Count Dracula's Great Love, which always turned up on Channel 5's Creature Features. I know we are all spoiled and jaded now, being able to see practically any movie we want to, but there was something special about the days before VHS when you had to wait for films to come on television if you missed them in the theaters.

prof. grewbeard said...

this one's a good'un, alright!

band name- Plastic Bastards!

dr.morbius said...

I want some of Wandessa's gowns for myself. I'd probably have to grow bigger boobs to make them work, but a girl should always have ambitions.

(Odd note, the capcha word is "benshi." Benshi were actors who narrated japanese silent films in lieu of title cards. I don't have a point to this.)

Tenebrous Kate said...

Steve--you're so right. The saturated colors are right out of horror comics!

Headless, I love the term "crazy-quilt" used to describe Naschy's films. That's awesome! And yes--I have a hard time imagining late-60s Lon Jr. in this role. Just picturing the seduction scenes makes me squick a bit...!

Fred, you're SO right about the magic (sometimes a FRUSTRATING brand of magic, but still) of grabbing the chance to see something on teevee. I was very young when the first video rental outlet opened in my neighborhood, but one of my earliest memories is the joy of Halloween season and its promise of "Disney's Halloween Treat." That was some mighty fine shizz, right thar.

Prof Grewbeard--APPROVED! Love it :)

Doc M--I'm on the verge of composing an open letter to current brasmiths. "Please give us cleavage like THAT! At any cost!!!"

Chick Young said...

Fantastic! Loved this and your other Naschy reviews. In fact, considering we have many of the same blogging buddies, I am shocked I haven't come across the "Love Train" sooner.

I'm up to my fang-bitten neck in Spanish horror at the moment (writing my dissertation on the subject) and was really happy to find your reviews, which are a pleasure to read. Although my blog is on a hiatus - I will still be visiting your site - it's tremendous fun.

All the best!
Chick Young

Tenebrous Kate said...

Thank you, Chick! I'm so glad you're reading and enjoying--you've made my day by saying so :) That is AWESOME that you're working on analyzing these films for your dissertation--godspeed on this just and mighty work!